d : d d | r : m r | d : t d | r : m f# | Hallelujah! Hallelujah! Hallelujah!
| s : s s | s : l s | f# : m r | m : r d | (Lyrics: And He shall reign for ever and ever) Hallelujah Chorus Tonic Solfa Mizo
| d : s s | s : f# m | r : m r | d :- : 0 || (Where f# is treated as f with a sharp accent, or simply f if the key is understood). Part 2: The Syncopated Middle Section ("For the Lord God Omnipotent") This is the tricky part. The rhythm changes. In staff notation, you see ties and dotted quarters. In Tonic Solfa, we use dots and horizontal lines (or spaces) to denote length. d : d d | r : m r | d : t d | r : m f# | Hallelujah
What bridges the gap between 18th-century London and 21st-century Aizawl? | s : s s | s :
So, pick up your Solfa booklet. Find your part (Soprano, Alto, Tenor, Bass). And let the King of Kings reign in your voice.
After the double bar line ( || ), the choir breathes.