El Origen Direct

“That’s it,” Sofía says. “That’s El Origen. Not a place you return to. But a place that returns to you.” El Origen is never lost. It simply waits to be remembered — one breath, one story, one broken and taped-together drawing at a time.

But to remember? That is to see the world as a living text, written at the dawn of time. “El Origen” is not a single address. In Latin America, the phrase carries the weight of a thousand creation stories. For the Maya of the Yucatán, it is the Heart of Sky and the Sovereign Plumed Serpent who spoke mountains into existence from the primordial sea. For the Andean Quechua, it is Tikse Wiraqucha , the god who rose from Lake Titicaca’s depths to shape the sun, moon, and the first people of clay.

It is under the floorboards of a demolished home in Michoacán. It is in the recipe for sopa de piedra that no one wrote down. It is in the curve of a river where a boy first learned to swim. It is in the moment before a photograph is taken — the breath held, the future not yet fixed.

The question is not philosophical. It is practical. To forget El Origen — the place where your spirit first recognized itself — is to become untethered. The Earth becomes just rock and soil. The river becomes just water. The corn becomes just food.

Sofía Márquez, the artist, eventually took her hidden canvas to a gallery. She titled it No me he ido del todo — “I haven’t entirely left.”

In the high, thin air of the Sierra Nevada de Santa Marta, Colombia, the Arhuaco people do not ask where you are from. They ask: “Do you remember your Origin?”

Her paintings sell for thousands. But she keeps one small canvas in her studio, hidden. On it, a single hand reaches up from a sea of blue. “That’s my abuela’s hand,” she says. “She taught me that the sea has memory. El Origen is the first time you believed you belonged somewhere.” Science has its own version of El Origen . In 2024, a team of paleogeneticists published a landmark study tracing the first human footprints in the Americas to a single migration event roughly 23,000 years ago — a small band of hunters crossing a now-vanished land bridge from Siberia into Alaska.

“Western science loves a single beginning,” she told me over coffee in La Paz. “A first cause. A spark. But my grandmother’s stories say there is no first — only cycles. The world has ended and begun again many times. El Origen is not a date. It is a ritual.”

She pulled a small stone from her pocket — a ch’alla offering stone, worn smooth. “This was my grandfather’s. He said it came from the beginning. But he also said the beginning is always happening. Every time you plant a seed, you return to El Origen.” Perhaps the most poignant version of El Origen belongs to those in movement. On the northern border of Mexico, inside a migrant shelter in Tijuana, a 17-year-old from Honduras named Carlos has drawn his origin on a cardboard bunk.

It is not a map. It is a list: The mango tree behind my house. The crack in the sidewalk where I played marbles. The sound of my mother’s hands making tortillas at 5 a.m.

By A. Reyes