In 2017, a Reddit user claiming to be Fuentez’s nephew posted: “My uncle Carlos played the arpeggios. He said Max Martin made him redo it 40 times until it ‘felt like a heartbeat.’ They paid him $800 and a pizza.” The post was deleted, but screenshots remain.
But the demo was slower, sadder, more R&B. Backstreet’s label, Jive Records, wanted a lead single that could conquer Top 40 radio. Martin sped it up, added a synth arpeggio, and layered the vocals until the melancholy was buried under euphoria. Here’s where the name “Fuentez” enters the story—though no official credit exists. Backstreet Boys - I want it that way -Fuentez -...
However, a very plausible link: The co-writer of "I Want It That Way" was (not Fuentez), but if you’re thinking of Johan "Jones" Wetterberg — no. Could it be Espanola/Fuentez from fan fiction or a tribute act? Or perhaps you mean Daisy Fuentes (TV host, not songwriter)? In 2017, a Reddit user claiming to be
A more romantic theory: “Fuentez” was a pseudonym for , the co-writer of “Quit Playing Games (With My Heart).” Crichlow is of Trinidadian descent—not Spanish—so unlikely. Or perhaps “Fuentez” refers to Martin Fuentes , a sound engineer at Cheiron who allegedly added the reverse reverb on the final chorus. Backstreet’s label, Jive Records, wanted a lead single
“I Want It That Way” began as a ballad. Martin and Carlsson had a chord progression and a title: “I Want It That Way.” Carlsson later admitted the phrase was deliberately ambiguous—a breakup song where the narrator insists on emotional distance, or a love song about accepting a partner’s flaws? Both readings work. Neither is fully satisfying. That’s the point.
Whether fact or fiction, the Fuentez myth serves a larger truth: “I Want It That Way” was not the work of a single genius but a collision of talents—Swedish precision, American soul, and one anonymous guitarist whose three minutes of work helped define a decade. In 2024, the Backstreet Boys performed the song on their DNA World Tour. Nick Carter, now 44, introduced it: “This song has no real meaning. That’s why it means everything.” The crowd roared.
Twenty-seven years later, “I Want It That Way” has been streamed over 1.5 billion times, named Billboard’s #10 greatest boy band song of all time, and inspired countless parodies, memes, and wedding first dances. But beneath its glossy, radio-friendly surface lies a tangled story of creative conflict, accidental genius, and a ghost credit that fan forums still argue about: the mysterious “Fuentez.” To understand the song, you must understand the factory that built it: Cheiron Studios in Stockholm, Sweden. In the late ‘90s, producer Max Martin and his team—Denniz Pop (RIP), Kristian Lundin, Andreas Carlsson, and Rami Yacoub—were refining a formula that would dominate pop for two decades. Their method: write 50 choruses, keep the catchiest one, and prioritize melodic “hooks” over lyrical coherence.