Without giving anything away, the ending is not your typical Tollywood happy ending. It is logical, painful, and mature. You might hate it, but you cannot ignore it. What Doesn’t Work 1. Length & Pacing: The film feels too long. The first half, while entertaining, has a few repetitive sequences of the couple fighting and making up. A tighter edit would have made the impact sharper.

Sai Rajesh deserves credit for not glamorizing toxicity. The dialogues are sharp and rooted. He doesn't justify the hero’s anger issues; he exposes them. The film captures the socio-economic divide (rich vs. poor) beautifully, showing how poverty fuels Anand's insecurity.

If you thought love was just about candlelight dinners and happy endings, Baby slaps you hard with reality. Directed by Sai Rajesh, this film is not a rom-com; it is a brutal, messy, and emotionally exhausting dive into the psyche of a toxic relationship. The story revolves around Anand (Anand Deverakonda), a carefree youngster from a lower-middle-class family, and Vaishnavi (Vaishnavi Chaitanya), a middle-class girl with modern aspirations. They fall in love intensely. However, when Anand’s possessive insecurity and anger issues clash with Vaishnavi’s desire for independence and respect, the fairy tale turns into a war zone. The film asks a painful question: Can love survive when ego enters the room? What Works 1. Vaishnavi Chaitanya’s Breakout Performance: This film belongs to Vaishnavi. She delivers a staggering performance, particularly in the second half. The way she transitions from a bubbly, confident lover to a broken, terrified woman is nothing short of brilliant. Her crying sequences feel so real that they make you uncomfortable.